Teresa, críese el niño: aproximación a una comedia inédita del fondo teatral de Palacio (ms. II/462, ff. 108-142)
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Abstract
El presente artículo analiza una comedia inédita en cuatro jornadas custodiada en el manuscrito II/462 de la Real
Biblioteca del Palacio Real de Madrid, que constituye un valioso testimonio del teatro de finales del siglo xvi,
caracterizado por su naturaleza experimental tanto en el plano genérico como estilístico. A partir de un examen
paleográfico y textual, se estudia la posible vinculación del manuscrito con el fondo Gondomar, con el propósito
de esclarecer las circunstancias de transmisión del texto y sus distintas fases de redacción. Asimismo, se trata de
situar esta pieza en su contexto histórico-literario, mediante el análisis de la interacción de elementos de diversa
índole que configuran su acervo temático. Se plantean, además, futuras líneas de investigación relacionadas con el
estudio de la pieza.
This article examines an unpublished four-act comedy preserved in manuscript II/462 of the Royal Library of the Royal Palace of Madrid, which serves as a valuable testament to late Sixteenth-century Spanish theater, characterized by its experimental nature in both generic and stylistic terms. Through a paleographic and textual analysis, the study investigates the manuscript's potential connection to the Gondomar collection, aiming to shed light on the circumstances surrounding the transmission of the text and its various stages of composition. Furthermore, the work seeks to situate this piece within its historical and literary context, emphasizing the interplay of diverse elements shaping its thematic repertoire. Future research directions related to the study of the play are also proposed.
This article examines an unpublished four-act comedy preserved in manuscript II/462 of the Royal Library of the Royal Palace of Madrid, which serves as a valuable testament to late Sixteenth-century Spanish theater, characterized by its experimental nature in both generic and stylistic terms. Through a paleographic and textual analysis, the study investigates the manuscript's potential connection to the Gondomar collection, aiming to shed light on the circumstances surrounding the transmission of the text and its various stages of composition. Furthermore, the work seeks to situate this piece within its historical and literary context, emphasizing the interplay of diverse elements shaping its thematic repertoire. Future research directions related to the study of the play are also proposed.







