Renovación metodológica de los diccionarios biográficos nacionales en el siglo XXI
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Abstract
Este artículo tiene como objetivo analizar
el origen y desarrollo de los diccionarios
biográficos nacionales en el contexto de la
evolución de la biografía. En este análisis,
observamos inicialmente los elementos que
condicionan los diccionarios: ámbito geográfico
y cronológico en el que se enmarcan,
criterio de selección de los personajes
a biografiar y de los biógrafos, esquema y
fuentes de las biografías. A ello sumamos el
análisis de la renovación organizativa y tecnológica
de estas obras que han modificado
sustancialmente los proyectos originales.
Finalmente, y partiendo de lo dicho anteriormente,
ofrecemos una propuesta para
la renovación de estas obras en el siglo XXI.
The aim of this article is to analyze the origin and development of national biographical dictionaries in the context of the evolution of biography. In this analysis we initially observe the elements that condition dictionaries: the geographical and chronological field in which they are framed, the criteria for selecting the personages whose biographies are to be written and for selecting biographers, the scheme and sources of the biographies. To this we add an analysis of the organizational and technical reorganization of these works that has substantially changed the original projects. Finally, based on the above, we set out a proposal for renovating these works in the twenty-first century.
The aim of this article is to analyze the origin and development of national biographical dictionaries in the context of the evolution of biography. In this analysis we initially observe the elements that condition dictionaries: the geographical and chronological field in which they are framed, the criteria for selecting the personages whose biographies are to be written and for selecting biographers, the scheme and sources of the biographies. To this we add an analysis of the organizational and technical reorganization of these works that has substantially changed the original projects. Finally, based on the above, we set out a proposal for renovating these works in the twenty-first century.







