Espectadores inteligentes, un reto posible
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Abstract
El discurso televisivo produce un efecto homogeneizador que hace que todo parezca
lo mismo y valga lo mismo. Produce, así, un espectador pasivo y aburrido. El discurso
no le propone ninguna operación de interpretación que lo implique subjetivamente. Sin
embargo, es saludable que pensemos en los adolescentes/televidentes y su relación con
sus consumos culturales masivos, no ya como una generación perdida por el consumismo
global irremediable, sino como jóvenes espectadores de textos audiovisuales complejos
que implican el uso de lenguajes o códigos también complejos, que los interpelan
como espectadores/interpretadores activos
Television produces a homogeneization effect which in turn makes everything seem and worth the same. It creates a passive and bored viewer, in short, a consumer. This discourse does not encourage him to be involved in any decoding operation; therefore, it does not embrace him as a subject. However, it would be healthy to think of the teen audience and their relationship with mass culture, not as a lost generation because of their global non-stop consumerism, but rather as young viewers of complex audiovisual texts which also imply the use of complex codes and languages, thus creating a system that makes them active viewers
Television produces a homogeneization effect which in turn makes everything seem and worth the same. It creates a passive and bored viewer, in short, a consumer. This discourse does not encourage him to be involved in any decoding operation; therefore, it does not embrace him as a subject. However, it would be healthy to think of the teen audience and their relationship with mass culture, not as a lost generation because of their global non-stop consumerism, but rather as young viewers of complex audiovisual texts which also imply the use of complex codes and languages, thus creating a system that makes them active viewers







