@article{10272/19074,
year = {2020},
url = {http://hdl.handle.net/10272/19074},
abstract = {En el marco de las animadas relaciones de poesía y pintura en la Venecia
del Cinquecento, se cuentan dos poemas de Aretino («Furtivamente Tiziano e Amore») y
Hurtado de Mendoza («Tu gracia, tu valor, tu hermosura») dedicados al retrato de Tiziano de una dama misteriosa que se ha identificado con doña Marina de Aragón y una
amante judía, con toda una serie de problemas. Este trabajo pretende examinar la red
de relaciones que está detrás de este ejercicio picto-poético, así como examinar ambos
textos en relación con el arte y el posible cuadro en el marco de los poemas di ritratto},
abstract = {:In the context of the intense relationships between poetry and painting in
Venice during the 14th Century, appears two poems by Aretino («Furtivamente Tiziano
e Amore») and Hurtado de Mendoza («Tu gracia, tu valor, tu hermosura») dedicated to
Tiziano’s portrait of a mysterious lady that has been identified with doña Marina de
Aragón and a Hebrew mistress, with a series of problems. This work aims to review
the network of contacts that is the base for this pictorial- poetical exercise, as well as to
examine both texts in relation with the artistic world and the possible paintings in the
tradition of portrait-poems},
publisher = {Universidad de Huelva},
title = {Poemas para una dama: Aretino, Hurtado de Mendoza y un retrato de Tiziano},
title = {Poems for a lady:
Aretino, Hurtado de Mendoza and a Titian’s portrait},
author = {Sáez, Adrián J.},
}