El ojo público. Un fotógrafo revelador
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Abstract
En el cine, entre la variedad de películas que existen relacionadas con el mundo de la fotografía, aun tratándose de un film de intriga y serie negra, con toques románticos y de drama, El Ojo Público (The Public Eye, 1992) es, sin duda, una de las cintas que mejor sirve para acercar de forma didáctica bastantes cuestiones relacionadas con el fotoperiodismo y, también, un buen trabajo que conecta con otros vasos comunicantes del séptimo arte.
In cinema, among the variety of films that exist related to the world of photography, The Public Eye (1992) is one of the best approaches to the photographic journalism – even when it is a black series thriller, with some romantic touches and drama. It is also a good piece of work that connects with other communicating vessels of the seventh art.
In cinema, among the variety of films that exist related to the world of photography, The Public Eye (1992) is one of the best approaches to the photographic journalism – even when it is a black series thriller, with some romantic touches and drama. It is also a good piece of work that connects with other communicating vessels of the seventh art.







