El juego de las proyecciones
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Abstract
Un conjunto de aspectos correspondientes al concepto `proyección' se presentan aquí aplicados a la creación e interpretación artísticas. En tanto que energía dinámica y/o simbolizadora procedente de los focos preconsciente, consciente y productivo, y actuante sobre contenidos de diversa índole, el impulso creador se vierte hacia pantallas que esclarecen una parte de esos contenidos -consecuentemente traducidos-, rechaza otra parte e incorpora elementos "espurios"(según las directrices de la significación originaria). En función de que el espectador pretenda o no reconstruir los significados supuestos en el autor, su interpretación será retroproyectiva o proyectiva respectivamente. La medida en que considere indicios orientadores con que la obra procura acotar su propia ambigüedad, la interpretación fluctuará entre las tendencias subjetiva y objetiva. Las cuatro combinaciones binarias resultantes segmentan y definen porciones de un espectro (actitudes del espectador ante la obra) en graduación continua.
A whole of aspects corresponding to the concept of «projection» are presented here applied to the artistic creation and interpretation. While the dynamic energy and/or symbolist coming from preconscious, conscious or productive sources works over contents of different nature, the cretive irnpetus floes into screens which illuininate a part of those contents —consistently transíated— rejects another part and incorporates «spurious» elements (according to the míes of the original significance). Depending on the spectator to pretend or not to rebuild the meaning supposed by the autor, his interpretation will be projected or retroporjected respectively. According as he considers orientative elements by means of which the play tries to delimit its own ambiguity, the interpretation will fluctuate between an objetive and subjeiive tendency. Re four resulting binary combinations divide and define portions of a spectro (attitudes of the spectator before the work) in a continuous graduation.
A whole of aspects corresponding to the concept of «projection» are presented here applied to the artistic creation and interpretation. While the dynamic energy and/or symbolist coming from preconscious, conscious or productive sources works over contents of different nature, the cretive irnpetus floes into screens which illuininate a part of those contents —consistently transíated— rejects another part and incorporates «spurious» elements (according to the míes of the original significance). Depending on the spectator to pretend or not to rebuild the meaning supposed by the autor, his interpretation will be projected or retroporjected respectively. According as he considers orientative elements by means of which the play tries to delimit its own ambiguity, the interpretation will fluctuate between an objetive and subjeiive tendency. Re four resulting binary combinations divide and define portions of a spectro (attitudes of the spectator before the work) in a continuous graduation.
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Bibliographic citation
Pilar María Domínguez Toscano. El juego de las proyecciones. Arte, individuo y sociedad, Nº 11, 1999, págs. 27-38.











