Génesis de la televisión en Andalucía: los primeros cámaras
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Abstract
El objetivo de este trabajo es analizar los orígenes
de la televisión en Andalucía, centrándonos
principalmente en los cámaras,
profesionales que poseen un mérito incuestionable.
Además, recogemos valoraciones inéditas
de reconocidos periodistas sobre estos primeros
cámaras andaluces. El comienzo del gremio de
los cámaras se caracterizó por la precariedad económica,
pues será a mediados de los años 80 cuando
se regularicen sus condiciones laborales. Haciendo
un repaso por las distintas provincias andaluzas,
hablaremos de grandes profesionales de la cámara,
como son: en Sevilla Roberto Dorado, José Luis Bustamante
«Buby», Alfonso Contreras, Fernando Caparrós
y Antonio Serrano o Pepe Narbona; en Almería
la familia Cano o Luis Carranza González; en Cádiz
José González Rodríguez; en Córdoba Antonio Salmoral;
en Granada Armando López Murcia o Domingo
Jiménez Toledo; en Huelva Pedro Rodríguez; en Jaén
Higinio Montes; y en Málaga la familia España. Finalmente,
reflexionamos sobre el cambio que ha sufrido
el periodismo en apenas medio siglo, como consecuencia
de la expansión, por un lado, de nuevas tecnologías,
y, por el otro, de internet, que en estos momentos
es el medio de comunicación por antonomasia
The aim of this paper is to analyze the origins of television in Andalusia, mainly focusing on the cameramen, professionals who have an unquestionable merit. In addition, we collect unpublished evaluations of top journalists about these early Andalusian cameramen. The early cameramen were marked by economic instability, it will be in the mid-80s when they regularize their working conditions. Looking back through the various provinces of Andalusia, we will talk about great professionals of the camera, such as: in Sevilla Roberto Dorado, José Luis Bustamante «Buby», Alfonso Contreras, Fernando Caparrós and Antonio Serrano or Pepe Narbona; in Almería the Cano family or Luis Carranza González; in Cádiz José González Rodríguez; in Córdoba Antonio Salmoral; in Granada Armando López Murcia or Domingo Jiménez Toledo; Pedro Rodríguez in Huelva; in Jaén Higinio Montes; and in Málaga the España family. Finally, we reflect on the change that journalism has had in just half a century, as a result of the expansion, on the one hand, new technologies, and, on the other, the internet, which currently is the quintessential media
The aim of this paper is to analyze the origins of television in Andalusia, mainly focusing on the cameramen, professionals who have an unquestionable merit. In addition, we collect unpublished evaluations of top journalists about these early Andalusian cameramen. The early cameramen were marked by economic instability, it will be in the mid-80s when they regularize their working conditions. Looking back through the various provinces of Andalusia, we will talk about great professionals of the camera, such as: in Sevilla Roberto Dorado, José Luis Bustamante «Buby», Alfonso Contreras, Fernando Caparrós and Antonio Serrano or Pepe Narbona; in Almería the Cano family or Luis Carranza González; in Cádiz José González Rodríguez; in Córdoba Antonio Salmoral; in Granada Armando López Murcia or Domingo Jiménez Toledo; Pedro Rodríguez in Huelva; in Jaén Higinio Montes; and in Málaga the España family. Finally, we reflect on the change that journalism has had in just half a century, as a result of the expansion, on the one hand, new technologies, and, on the other, the internet, which currently is the quintessential media







