Exemplaria -- V. 03, (1999)
Permanent URI for this collectionhttps://hdl.handle.net/10272/1665
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Item type: Item , Cervantes, Sterne, Diderot : les paradoxes du roman, le roman des paradoxes(Universidad de Huelva, 1999) Pardo García, Pedro JavierThis paper seeks to demonstrate not only the connections between Cervantes and Sterne, on the one hand, and between Sterne and Diderot, on the other, but also those linking Cervantes and Diderot, which have hitherto been neglected, and to do so by going beyond superficial resemblances in plot or characters. The paper traces these multiple connections by means of a series of paradoxes -two opposed ideas which are neither endorsed nor dismissed as true or false, but kept together in an enriching and creative opposition or balance- on two distinct levels, story and narration, which exhibit opposed visions of reality and ways of reading. Cervantes, Sterne and Diderot wrote novels full of paradoxes, which make explicit the paradoxes implicit in all novels, the paradoxes that define the novel as a genre.Item type: Item , Vida, muerte y parálisis en Pedro Páramo de Juan Rulfo y "The dead" de James Joyce(Universidad de Huelva, 1999) Morales Ladrón, MarisolThis article explores the similarities between the literary production of Juan Rulfo and James Joyce as regards their special treatment of the themes of life and death. Although this treatment constitutes a major concern throughout their writings, the article concentrates on a close comparative reading of Pedro Páramo and "The Dead". In these texts, both writers coincide in their attempt to (con)fuse life and death as two "states of being" creating an atmosphere where death suffocates the life of the inhabitants of Comala and Dublin, the cities to become, in turn, two centres of paralysis.Item type: Item , ¿Una jarcha neotérica?(Universidad de Huelva, 1999) Fernández Valverde, JuanItem type: Item , La presencia de las artes en literatura : la transposición artística en Emilia Pardo Bazán(Universidad de Huelva, 1999) Latorre, YolandaThroughout the history of artistic expression, the relation between literature and the visual arts has insistently captivated writers and thinkers. The engaging relation is particularly noteworthy in the work of E. Pardo Bazán, who creates suggestive transpositions by describing works of art and by translating the essence of the visual arts into literature.Item type: Item , Persuasion without words in two renaissance debates(Universidad de Huelva, 1999) Casanova García, JorgeItem type: Item , Ovid. Met. 13.882-884 and Góngora Fábula de Polifemo y Galatea 489-490(Universidad de Huelva, 1999) Ramírez de Verger Jaén, AntonioItem type: Item , Naturaleza del héroe en la novela de M. Barrès(Universidad de Huelva, 1999) Porras Medrano, María AdelaidaThis article seeks to determine and define the nature of the hero or main character in M. Barres' narrative work. Analysis begins with several texts revealing the development of the author's ideology. In light of these texts, one sees how characters show the existence of an individual conflict, represented by action and in thought. This opposition stands related, in turn, to two features of Barres' novels: the character's love for his mother country or region and capacity for action. Both options are typical of novels written at the end of the 19th century.Item type: Item , El motivo del "dinero todopoderoso" en Quevedo : precedentes clásicos de la expresión "poderoso caballero es Don Dinero"(Universidad de Huelva, 1999) Traver Vera, Ángel JacintoThis paper surveys the tradition of the "all-powerful money" theme in Quevedo. Several possible precedents from Horatius, Ovidius and Paulus Silentiarius are detailed in relation to Quevedo's "poderoso caballero es Don Dinero ".Item type: Item , Mito clásico y poesía actual : el tema de Ulises en un poema de Javier Salvago(Universidad de Huelva, 1999) Arcaz Pozo, Juan LuisItem type: Item , Locos y marionetas: estudio comparativo de las tipologías expresionista y esperpéntica(Universidad de Huelva, 1999) Sabate Planes, DolorsItem type: Item , Kalchas, en eidos aba Zymon...ptesias oionon ed Aastepas ¿Calcante astrólogo?(Universidad de Huelva, 1999) Galán Vioque, GuillermoItem type: Item , Fuentes clásicas de dos motivos de la poesía española : "la grulla" y "la mariposa"(Universidad de Huelva, 1999) Pulido, IsabelThis study seeks to revise the meanings of two traditional motifs which experience revealing developments in the Spanish lyric. Since Aristotle and the natural treatises of antiquity through the medieval zoological compilations, the images of "the crane" and "the butterfly" appear in the cultivated poetic compendium, both pagan and divine, moral and doctrinal. Evidencing marked variations, the winged figures reach the twentieth century Spanish lyric in the form of oblique and pure images, characteristic of very personal poetics such as M. Hernández's, Lorca's or G. Diego's.Item type: Item , Ficción en la Historia Alexandri de Quinto Curcio Rufo : la anécdota del médico Filipo en comparación con Arriano y Plutarco(Universidad de Huelva, 1999) Fernández Corte, José CarlosIn recent years numerous fictional devices have been identified in Greek and Latin historiography. Quintus Curtius has traditionally been considered the most novelistic of Latin historians and the first, more general part of this paper sets out to redefine his position towards fiction in Historia Alexanílri, both from a thematic and literary-formal perspective. The second part of the paper consists of a comparison of the story of the healing of Alexander by the physician, Philip, in the Greek historians Arrian and Plutarch and the Latin historian Curtius Rufus. In the process, attention is drawn to fictional structures of the kind developed by 20th century authors of prose fiction and novels.Item type: Item , Federico García Lorca y Salvador Novo : encuentro en Buenos Aires(Universidad de Huelva, 1999) García Gutiérrez, María RosaIn 1933, the Mexican writer Salvador Novo met Federico García Lorca in Buenos Aires. Although they did not spend much time together, a very close relationship arose between them. One of the results of this relationship was Seamen Rhymes, a plaquette of which only a hundred copies were printed and which included a bilingual poem by Novo and four exclusive drawings by Lorca. This essay focuses on the analysis of Lorca and Novo's poetic developments and emphasizes their similarities. At the same time. it tackles for the first time Seamen Rhymes as a collaborative book made by two authors who, through word and image, shared the same symbology of sea and seamen to express their common view of poetry and homosexuality as signs of marginality.Item type: Item , The Choliambs of the satires of Persius(Universidad de Huelva, 1999) Pérez Vega, Ana